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Moore, Mandy Elizabeth June Research on Diversity in Youth Literature. Steven Universe at Wikipedia's sister projects.

Cartoon Network Studios [3]. Warner Bros. Television Distribution. Production website. Behind the Voice Actor Awards [].

Zach Callison as Steven. Annie Awards []. Young Artist Awards []. Deedee Magno Hall as Pearl. Michaela Dietz as Amethyst.

Jennifer Paz as Lapis Lazuli. Hall of Game Awards []. Short-format Animation. James Tiptree Jr. Rebecca sure does like to put them together…wait a minute….

Posts Submit a post Archive. We we're robbed. Some information from Comic Con. Rebecca sure does like to put them together…wait a minute… ZOOM.

Rebecca says in the new art book that she had gem origins and diamond origins planned and thought out!!

This article is about the television series. The pilot is a slice-of-life episode that does not involve major events because the series' world was still in development. It was nominated for five Emmy Awards and five Annie Awards. Kids' Choice Free hairy video []. The hiatuses between Citcat17 have irritated fans, Strapon lesbian sex to The A. Threesome pussy lick who Xsporn Rebecca Sugar from Adventure Anal gedemütigt were also interested. Archived from the original on July 8,

She developed Steven Universe while she was a writer and storyboard artist on Adventure Time , which she left when Cartoon Network commissioned her series for full production.

The series is storyboard-driven; the show's storyboard artists were responsible for writing the dialogue and creating the action in addition to drawing the storyboards.

Books, comics and video games based on the series have been released. The series has developed a broad fanbase and has been critically acclaimed for its design, music, voice acting, characterization, prominence of LGBTQ themes and science fantasy worldbuilding.

It was nominated for five Emmy Awards and five Annie Awards. Steven Universe is set in the fictional town of Beach City, Delmarva , [4] where the Crystal Gems live in an ancient beachside temple and protect humanity from monsters and other threats.

The Gems are ageless alien warriors who project female humanoid forms from magical gemstones at the core of their being.

As Steven tries to understand his gradually expanding range of powers, he spends his days with his father Greg, his best friend Connie, his magical pet lion, other residents of Beach City, and the Gems.

He explores the abilities inherited from his mother, which include fusion—the ability of Gems to merge their bodies and abilities to form new, more powerful personalities.

The series's first season gradually reveals that the Crystal Gems are remnants of a great interstellar empire. During their missions they visit ruins that were once important to Gem culture but have been derelict for millennia.

The Gems are cut off from the Gem homeworld, and Steven learns that many of the monsters and artifacts they encounter are Gems who were corrupted by a Gem weapon of mass destruction and can no longer maintain rational, humanoid form.

By the end of the first season, Steven learns that, millennia ago, the Gem empire intended to sterilize the Earth to incubate new Gems, but Rose Quartz led her supporters, the Crystal Gems, in a violent and apparently successful rebellion against this genocidal plan.

The discovery and release of Lapis Lazuli, a Gem trapped on Earth for millennia, puts the Crystal Gems at risk from the Gem empire once more, leading to the arrival of hostile envoys Peridot and Jasper.

In the second season, Peridot allies with and eventually joins the Crystal Gems to prevent Earth's destruction by a Gem "geo-weapon" buried in the planet.

During the third season, Lapis Lazuli decides to live on Earth with Peridot; Jasper is defeated and captured; and Steven learns that his mother assassinated one of the Gem empire's matriarchs, Pink Diamond.

In the fourth season, as Steven wrestles with his conflicted feelings about his mother's actions, the Gem empire leaders Blue Diamond and Yellow Diamond begin to turn their full attention to Earth.

In the fifth and final season, Steven learns that in fact his mother was Pink Diamond, who faked her death to assume the identity of Rose Quartz; he uses this revelation to persuade the other Diamonds to try to take responsibility for and fix the damage they have caused.

In , after former Cartoon Network vice-president of comedy animation Curtis Lelash asked the staff for ideas for a new series, Rebecca Sugar—an artist working for the network's series Adventure Time —described her initial ideas for what would become Steven Universe , and the project was chosen for development.

While developing her show, Sugar continued working on Adventure Time. Cartoon Network executives commissioned the show after the crew's art presentation and Sugar became the first woman to create a show independently for the network.

When Sugar's show was commissioned, she resigned from her role as a storyboard artist on Adventure Time to focus on her own series.

The pilot is a slice-of-life episode that does not involve major events because the series' world was still in development.

This unsuccessful experience helped Sugar develop the show's concept; she said, "to know that there is so much more that you can't see and the way that knowledge frustrates and excites and confuses and scares you".

The title character Steven is loosely based on Steven Sugar, Rebecca's younger brother. Her brother had no problem with it and trusted Sugar to use his name wisely.

When the original pilot was presented to Cartoon Network executives, they told the crew the series would air in Sugar and her team panicked because the series was going to be very different from the pilot episode.

The pilot was popular when it was released, engendering forum discussions in which people expressed their hopes of seeing it on the air soon.

Those who knew Rebecca Sugar from Adventure Time were also interested. Positive reaction to the show reassured its crew. To prepare for the show's commissioning by Cartoon Network, Sugar began assembling a production crew.

Some artists who had worked on the special, such as colorist Tiffany Ford and art directors Kevin Dart, Ellie Michalka and Jasmin Lai, were later invited to join the Steven Universe team.

During the art presentation, Jones-Quartey, Guy, Hynes and Steven Sugar created artwork that differed from their previous work. Jones-Quartey wanted to work with something new, retaining elements of the show's previous project.

He later said he over-used them, and they were criticized at the art presentation. Michalka did the painting. During the development of the Steven Universe pilot, Sugar focused much attention on the design of the world, adding notes to her drawings.

The series' design was also inspired by her and her brother's interest in video games, comics and animation.

Steven Sugar praised Dart's work and was inspired by him in college years, saying Dart had more ideas for the art than he did.

In the pilot, only two locations appeared the Temple and the Big Donut. The Temple's dual faces were based on Guy Davis' ideas. Sugar also designed people, houses, cars, buildings and restaurants.

Because of Rebecca Sugar's redesigned drawings, the two original locations had to be redrawn. To find inspiration for the show's backgrounds, the Sugars and Jones-Quartey went to their favorite beaches.

Slump , which features a small environment in which the recurring characters live where they work. Steven Sugar made the boardwalk the focus of Steven Universe ' s human world.

During the early stages of production, Sugar worked on character appearance and personality development simultaneously; [24] during this process of conception, she was heavily inspired by fantasy television characters she and her brother used to draw when they were younger.

The coloring was done by Jones-Quartey. Making a character "look alive" was always a priority in their design; according to Jones-Quartey, a character's emotions should be clearly delineated.

In drawing the characters for each episode, the crew has two weeks to make modifications. Sugar wanted the Gems to resemble humans; she developed the Crystal Gems to ride a roller coaster of family life with Steven, [9] whom they would treat like a brother.

Because of the characters' personalities, Garnet is square, Amethyst is a sphere and Pearl is a cone. The Gems' ability to shape-shift is a reference to older cartoons such as Tex Avery 's work for MGM , where characters would change at will.

Although the Crystal Gems are intended to be serious characters, the writers wanted them to be "funny and weird" as well.

Working on both series simultaneously became impossible; she also encountered difficulty in the production of the episode " Bad Little Boy ".

The episodes "Cheeseburger Backpack" and "Together Breakfast" were developed at this time. The episode outlines are passed to the storyboarders, who create the action for the episode and write its dialogue.

The storyboards are animated, using paper drawings and the production crew's designs, by one of two Korean studios; Sunmin and Rough Draft [39] and the production crew's designs.

During storyboard meetings, artists draw their ideas on post-it notes , which are then attached to walls, table and boxes in the corners of their conference room.

The drawings play a major role in forming episode ideas; Sugar looks at these designs and occasionally makes changes to key poses. Sugar likes to review and re-draw scenes and characters to add extra pathos and emotion to storyboards.

This process can be quite complex; the storyboard artists must create the cinematography and focus on scenic design in a way similar to film production.

After the panels are made, the thumbnail-storyboard artists draw mannerisms and dialogue based on their own experiences; Sugar draws "quintessential" scenes from her memories of hanging out with her brother after school.

The storyboards are again discussed, corrected and finally approved. During the pilot development, Sugar wrote and sketched a number of plot ideas that later became episodes.

Although the series' overall plot is established, the writers improvise to arrive at its ending; according to Matt Burnett, the storylines will be resolved by the series' end.

The writers—formerly Levin and Burnett—would write the premises and outlines while the storyboarders wrote and drew the episodes.

They discuss episode pacing and vary each season's texture by balancing "lighter" and "heavier" story arcs. After further discussion and questions about the writing, an idea becomes an episode.

After discussing a season's proposed episodes the "puzzle" is complete, and they begin writing a major story arc or a season finale.

Burnett said writing a season is like an algebraic equation "where one side is the season finale, and the x's and y's are the episodes we need for that solution to make sense"; he cited "Ocean Gem", " Steven the Sword Fighter ", "Monster Buddies", "An Indirect Kiss" and "Serious Steven" as examples.

Those episodes led to the season-one finale as a minor story arc. In one, a scenario with characters is drawn and passed to another writer.

The second writer adds a few sentences before giving it to a third, until the drawing has a three-act story. Burnett said he and Levin use fewer ideas from the storyboarders than they previously did; storyboarders change fewer things than they did before because the episodes have a "stronger continuity".

According to Levin, he and Burnett try to balance the focus between the main characters—with Steven in the center—and the theme of episodes in their writing.

The balance indicates Steven has the same interests on his human side as he does on his Gem side. Levin said the Gem mythology and drama would have been less interesting if Steven was not as well-developed in the first few episodes.

Grateful to work on a show which is unafraid to be "sincere and vulnerable", he said if every episode was emotional the series would become formulaic; happy episodes balance out emotional ones.

The character's powers and home-world technology are revealed at a "measured very slow pace", satisfying the viewer and keeping the series clear of superhero territory.

Before significant plotlines air, the writers reveal information relevant to a "climactic" episode for the audience.

According to storyboard artist Hilary Florido, much of the series' action and magic are narrative climaxes, demonstrating the characters' discoveries, difficulties and views.

Florido said if a character's evolution is not directly related to the plot, there is no drama. Although the writers could hint at future events, they prefer to focus on plot and develop Steven in real time.

Levin said if the pilot tried to present Gem history in five minutes, the audience and protagonist would be equally confused.

The production of background art begins after the approved storyboards are received. If the characters visit old locations, the pre-existing backgrounds are modified for authenticity; it is likely locations would change slightly over time.

Steven Sugar likes to hide narrative bits in the backgrounds because he believes the key to world-building is "having a cohesive underlying structure to everything".

The art was also inspired by Tao Te Ching , whose work highlights the importance of empty spaces, "like the space within a vase as being part of the vase that makes it useful".

When painting the backgrounds, they use one primary and several secondary colors; Amanda Winterston and Jasmin Lai found suitable color combinations.

After the primary backgrounds are painted, they are sent to the color stylist, who chooses colors for a character or prop from model sheets, matching and complementing the storyboard and background.

The lines of the character or prop are rarely colored. The lines are removed when scenes need light effects. The coloring in early season-one episodes was experimental because the stylist would have difficulty if a storyboard's character and background mixed together or a bright character walked unchanged into a shadow.

Mistakes became rare as the crew planned and checked storyboards. The primary backgrounds are made in Burbank; the secondary ones by Korean artists.

After the crew finishes constructing an episode, the production team sends it to animators in Korea. The production team and animators communicate by email and sometimes use video chat when animating a major episode.

Before sending the episode to one of the studios, animation director Nick DeMayo and his team create a plan for the animators after reviewing the animatics.

Mouth assignments for the characters, describing mouth shapes and timing for lip-syncing, follow. The black-and-white version is sent first, followed about two weeks later by the colored version [59] The animation is drawn and inked on paper, then scanned and colored digitally.

The crew then arranges a "work print" meeting to discuss the episode and review it for errors. DeMayo notes any errors, removes them and sends the episode back to the animation studio or to Cartoon Network's post-production department to fix any remaining issues.

American actor Zach Callison voices Steven. The role of Steven is his first lead role on television. Cartoon Network asked Estelle to take the part, her first voice-acting role.

She approached Scharpling for the part of Greg Universe , who was originally named Tom. The Ruby Gems are voiced by Charlyne Yi , to whom Sugar wrote to say she was confident Yi would be perfect for the role.

The show's four main voice actors—Callison, Dietz, Magno and Estelle—spend three to four hours recording per session; three to four weeks a month for ten months each year.

Cast members record together or separately; they are often recording multiple episodes. Each recording session covers a new episode and includes retakes for that episode or previous ones if needed.

In group recording sessions, a maximum of six actors stand in a semicircle. If they like a take, the production assistant marks it and gives it to the animation editor for the episode's rough cut.

When a recording session begins, Sugar explains the storyboards and describes the sequences, character intention and the relationship between them; Osborne does the recording.

Before the sessions, Sugar and the voice actors discuss new plot elements and shows them the advanced storyboards. Magno said she enjoys the group recording sessions because the funny faces the cast members make while recording lines requiring emotion or movement often cause them to laugh.

Steven Universe features songs and musical numbers produced by Sugar and her writers, who collaborate on each song's lyrics.

Multiple drafts of the theme song's lyrics were written. The music is influenced by the works of Michael Jackson and Estelle; [71] and Sugar has cited Aimee Mann as "a huge influence".

Sugar asked Aivi to audition and agreed that producer Surasshu could join her. Each character has a leitmotif expressing their personality, which changes slightly depending on the situation.

Sound motifs and palettes were also created for locations, objects and abstract concepts. The same musical style for a song and the character singing it is used for each song.

Over time, the songs have become increasingly complex and production has become more difficult because the show's original musical style no longer fits perfectly with the newer lyrical themes.

The two were less inspired by a specific musical style, but rather by the song's "feel", which Sugar had explained to them.

The pilot episode of Steven Universe was released on Cartoon Network's video platform on May 21, , [79] and an edited version was released on July In March , a production shuffle saw the second and third seasons subdivided to create four seasons of 13 half-hours each, making a total of five seasons.

Beginning in , Cartoon Network often aired new episodes in groups of five over one week—marketed as "Stevenbombs"—rather than one episode per week.

The hiatuses between groups have irritated fans, according to The A. Club causing "agonized cries of a rabid, starving, pained cult following". The A.

Club attributed the effect to Steven Universe ' s unusual—for a youth cartoon—adherence to an overarching plot, which can generate "massive swells of online interest"—similar to the release of full seasons of adult TV series—which are "crucial to a network's vitality in an increasingly internet-based television world".

In May , Cartoon Network apologized to fans after one of the channel's promotional videos contained unaired footage with significant spoilers for future episodes.

In response to the video, former series producer Ian Jones-Quartey noted in a later-deleted tweet that "being a Steven Universe fan is suffering", alluding to the series's irregular and unpredictable airing schedule.

In the episode, Uncle Grandpa helps Steven use his Gem powers when he cannot summon his shield. The episode contains an acknowledgement by Uncle Grandpa that the episode is not canonical.

Let's Be Heroes , which aired on October 8, In the episode, Garnet teamed up with K. Two volumes of mini-episodes have been released by Cartoon Network.

The first one includes the extended title theme "We Are the Crystal Gems"; shorts in which the Crystal Gems teach Steven about Gems in a classroom setting; an unboxing video of Steven's new duffel bag; and a short in which Steven's pet lion is playing with a cardboard box.

According to Rebecca Sugar, she was notified in that the series would be cancelled at the end of the fifth season. She prevailed upon Cartoon Network to extend the fifth season to 32 episodes, in order to have room to complete the story, as well as a follow-up television film , Steven Universe: The Movie.

Along with the film, Cartoon Network also greenlighted an additional season of 20 episodes, which would become the sequel series Steven Universe Future , taking place after the events of the film.

A teaser was shown and was uploaded to the Cartoon Network YouTube channel. The limited series Steven Universe Future , intended to serve as an epilogue to the main series, was announced at the New York Comic Con.

Nonfiction books covering the development of the franchise and compiling production artwork have also been published:. The tactical role-playing video game Steven Universe: Attack the Light!

Players control Steven and three Crystal Gems to fight light monsters. A player-created Gem flees her pursuer through side-scrolling stages set to remixes of the series' music.

Another mobile game, Steven Universe: Dreamland Arcade , was released in ; it is a collection of arcade games with characters from the series.

On December 4, , Brawlhalla , a free-to-play fighting game, added Steven Universe characters. Studios has published several limited comics series based on Steven Universe :.

In October , Cartoon Network announced a line of toys based on Steven Universe , which would be sold by specialty retailers.

For the holiday season, Funko made "Pop! PhatMojo sold plush figures and foam weapons, and Zag Toys released collectible bobbleheads and other mini-figures in early The following year, Toy Factory planned to sell a line of plush and novelty items.

Steven Universe has received critical acclaim, and praise for its art, music, voice performances, storytelling and characterization.

According to James Whitbrook of io9 , it is an "equally rewarding watch" for adults and children; [] and Eric Thurm of Wired has called it "one of the stealthiest, smartest, and most beautiful things on the air".

Critics have praised the "breathtaking beauty", [] "intriguing, immersive environments" [] and "loveably goofy aesthetic" [] of Steven Universe ' s art; writing highly of its distinctive, soft pastel backgrounds [] and its "gorgeous, expressive, clean animation".

Sugar wanted Steven Universe to be thematically consistent with hers and her brother's shared interests. Additionally, the theme of love was inspired by her relationship with Jones-Quartey.

The unusually strong female presence in a series about a boy—all major characters except Steven and Greg are female—is intentional according to Sugar, who intended to "tear down and play with the semiotics of gender in cartoons for children"; she considered it absurd that shows for boys should be fundamentally different from those for girls.

The series' plot is developing towards a distant goal; everything in between is kept flexible, partly because her intentions have "changed since I've started because I've grown up a lot" while working on the show.

Steven personifies the "love affair between fantasy and reality". According to Whitbrook, the series' "masterful sense of pace" allows it to integrate foreshadowing and worldbuilding into scenes, which makes an overarching, dramatic narrative emerge from what might otherwise be " monster of the week " episodes.

Smalley characterized Steven Universe as part of a growing trend of cartoons that appeal to adults and children alike; which includes Avatar: The Last Airbender , its sequel The Legend of Korra , Adventure Time and Regular Show This is reflected in the series' outreach to minorities that seldom appear elsewhere in animation and its broader themes; instead of delivering genre-typical, mustache-twirling villains, Steven Universe "deals with issues of extraordinary violence and horror, depicts its characters in shades of grey, and subtly plays with matters of philosophy, morality, and interpersonal conflicts, all while refusing to reset any development to a status quo ".

Club , who noted that "the show's superheroes are all women". Whitbrook characterized the series as being "about love— all kinds of love", including non-traditional forms such as the motherly and friendly bond between Steven and the Gems; and Garnet as the "physical embodiment of a lesbian relationship".

When placing the series on the honor list of the Tiptree Award , which recognizes works of science fiction or fantasy that explore and expand gender roles, the jury wrote; "In the context of children's television, this show deals with gender in a much more open and mature way than is typical for the genre, and has some of the best writing of any cartoon Autostraddle 's Mey Rude wrote that Steven Universe was the most-recent animated series for a younger audience with significant queer themes, such as the androgynous fusion Stevonnie and the romantic relationship between the Gems Ruby and Sapphire, whose fusion is the main character Garnet.

This, according to Rude, reflects the growing prominence of these themes in children's cartoons; previous depictions were subtextual or minimal, such as the Adventure Time episode " What Was Missing ", the series Clarence or more explicit but unexplored the finale of Nickelodeon's The Legend of Korra.

According to Sugar, her series' LGBT representation is not intended to make a point but to help children understand themselves and develop their identities.

In her view, queer youth deserve to see themselves in stories as much as other children—and, given pervasive heteronormativity , not allowing them to do so can be harmful.

LGBT children deserve to see the prospect of love for themselves in the characters with whom they identify—the ideal of fulfilling partnership and true love, established as the thing to aspire to by generations of Disney cartoons , extended to all.

The series' reputation as "one of the most unabashedly queer shows on TV" [] generated controversy in when Cartoon Network UK removed an embrace between Rose and Pearl but did not remove a kiss between Rose and Greg from its British broadcast.

Club mentioned its range from "peppy retro" to Ghibli -esque "smooth jazz piano". The series' music has also been widely praised. Public interest in the series measured by Google Trends vastly outstripped that of Cartoon Network's other series in April , which The A.

Club called "definitive proof that Steven Universe is now Cartoon Network's flagship series". Fans have campaigned against censorship outside the United States of the series' representation of LGBT relationships.

A fan campaign persuaded Cartoon Network's French subsidiary to re-record the song "Stronger than You" with a translation making the singer's love as explicit as the original, [] and another was launched in to protest Cartoon Network's British subsidiary 's practice of removing scenes of affection between Gems from UK broadcasts.

According to io9 , "while most of the Steven Universe fandom is supportive and welcoming, there is a small subsection that's known for being extreme and hostile under the guise of inclusiveness".

A full-length fan-made episode titled "The Smothering", [] set in an alternate version of the story's continuity , was called "one of the more impressive pieces of work to come out of the Steven Universe fandom" in by io9.

Steven Universe. This article is about the television series. For the character, see Steven Universe character. For the film, see Steven Universe: The Movie.

For the epilogue limited series, see Steven Universe Future. Action [1] Science fantasy Comedy-drama [1] [2] Coming of age. Jackie Buscarino Chuck Austen supervising producer, season 1.

Main article: List of Steven Universe characters. Main article: List of Steven Universe episodes. Main article: Steven Universe: The Movie. Main article: Steven Universe Future.

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June 6, Archived from the original on December 8, I am a screenwriting student from Emerson Archived from the original on November 17, The Hollywood Reporter.

Rebecca also mentioned that she would love to see more stories that explore the mental ramifications huge clmactic events in these types of stories leave on young protagonists, which I totally agree with.

But I also wanted to bring up that not every show needs to do this, some shows can just have these events happen and leave it at that and be good as is, but the mental toll stuff will always be at the forefront of my mind thanks to it being explored in SU Future.

There was a story that got scrapped about peridot building a device that detects how many times a gem has been rejuvenated: Rhodonite was involved, reveals she has been rejuvenated 17 times, and throughout the episode we would've learned her backstory, alongside Morganite's.

Was ultimately scrapped due to the massive scope of it. Wow, look at all the Blue and Yellow concept sketches from the End of an Era artbook previews!

Rebecca sure does like to put them together…wait a minute….

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